Showing posts with label IGWTBS. Show all posts
Showing posts with label IGWTBS. Show all posts

January 24, 2019

Deals on all books

The following of my books are on deal on Amazon.

‘The Great War of Hind’ at Rs. 29 https://amzn.to/2QZthcM

‘If God Went to B-School’ at Rs. 29 https://amzn.to/2S0pJLK

‘A Year in Faking News’ available for free https://amzn.to/2RZ31Ul

November 21, 2018

The Great War of Hind - free Audiobook

Vaibhav Anand
Free Audiobook

The Great War of Hind (Legend of Ramm #1) is now part of Audible trial. Simply sign up for a free 1 month Audible trial and you can listen to the audiobook version for absolutely free!

Click here to listen for free now: https://amzn.to/2DzXCvj

April 22, 2016

An interview with e-Books India (Transcript)

Please tell us about you. Where are you from? What is your professional background and how did you become an author?
I am an MBA from FMS, Delhi and an engineer from Delhi College of Engineering. I have actually held a day job for the last six years since I graduated from FMS. I wrote my first book in the second year of B-School: the intention was to tell the B-School story no one was talking about – the unglamorous murky truth of how the premier league MBA ecosystem in India almost collapsed when the 2008 global recession hit. And well, I had always wanted to write ever since I read my first Famous Five book what seems like aeons ago.

To a lot of authors, the dream is to write a bestseller and retire. While I had flirted with the thought initially when my first book came out six years ago, I eventually realized that a classical author’s job is lonely, depressing and dark. You basically sit in a room waiting in despair for the right idea, the right words, and the right characters to come to you. I doubt I will ever be a full time author – as it is, I can hardly write when I am at peace or with time on my hands. The best ideas always come to me when I am pressed for time; it is the constant grind of life that makes me an author, for the most part.

What types of books do you write?
It often takes a very different technique to write different kinds of books – which is why most science fiction writers only write science fiction, comedy writers only write comedy, mystery/thriller writers only write mystery/thrillers and so on; for the most part anyway. I grew up on a diet of all kinds of books, all of which I secretly wished I had written – and what I have discovered overall about myself is that I tend to be fairly ambidextrous when it comes to writing. I just need to train for a particular style if required. Training takes months but primarily involves reading the masters of that genre and noting their techniques. You learn a lot from masterpieces but you learn more from bad books from the masters of a particular genre. For example, one of the books in the Harry Potter series (the 4th book if my memory serves me right) or Douglas Adam’s Dirk Gently series are both written by masters but have significant flaws compared to the authors’ earlier works. For an author like me, it is absolute gold to read mediocre to bad books by great authors… it’s like seeing an elaborately constructed building with the foundations and the wiring showing; it just makes understanding how to write the genre much easier.

My natural voice is cynical, which is where the first book ‘If God Went to B School’ fit in. Over time as I started reading satirical articles on Faking News a few years back, I discovered that I could easily slip into satire writing (which led to my 300+ posts for Faking News so far). But reading the novelized history of the Mughals (by the husband-wife duo going by the pseudonym ‘Alex Rutherford’) made me realize I wanted to write historical fiction. I enjoyed the books so much that I wanted to write that genre! Which is how ‘The Great War of Hind’ was born.
I remain perennially besotted with sci-fi comedy too; inevitably, I will write a book or a series in this genre. Maybe a few years down the line.

Can you please tell us a bit about your most recent book entitled The Great War of Hind, its overall plot and the key characters in it?
The overall idea of the book is around how we believe epics written by Valmiki and Ved Vyas to be about Gods and real men. To me, Valmiki and Ved Vyas were the Stan Lee’s of their generation, who wrote these stories to regale people. In parallel, I had been toying with a simple logical idea of creation – God creating man and animals – and I saw no better way to tell the story than to pick mythological characters everyone knows and plug them into a story of the origin of mankind and animal-kind and how and why it all happened, and what happened after. ‘The Great War of Hind’ and ‘The Legend of Ramm’ series are built around this kernel.

Are you working on any other book(s)? If so, can you please tell us what we can expect to see from you in the future?
Well, I am sort of obligated to finish this series (Legend of Ramm) now that I have started it. So that will be a couple of years of my life at least. Unless something else catches my fancy next, I should write the sci-fi comedy I have been hungering to write for a long time after that.

Can you please tell us about your approach to writing? For example, do you follow structures and writing rules? Or do you write in a free flow way? Do you have any particular time of the day you like to write? Or any specific environment you prefer to sit down and write?
A significant amount of time for me goes in establishing the skeletal structure of the plot first. This takes a month or more (sometimes much more). Writing for me is about threading the needles I have laid down, as the plot. But it does get complicated at times. You might have a great idea while writing that completely muddles up the plot, or find it impossible to write to stick to the plot structure. So it is a tedious bone-crunching process.

I write best when I am constrained for time, when I am tired and stressed. There is no particular time for me – I just try and get in a little bit of writing everyday.

From your experiences, could you please share 2-3 top tips to help beginner authors who want to publish a novel?
Read, read every day. And read the classics first to get a grounding in the language. You’ll get nowhere by reading the complete works of Chetan Bhagat.

Write a lot. Write your own blogs or for blogger networks. Keep that animal in you alive.

Be meticulous. A comma in the wrong place on one page can shave a point off book reviews. Every brick is important; every speck of cement is important in what you are building.

It’s quite another thing to sell a book in India though but in the long run, good writing, strong plot structure trumps short term gimmicks. Not everything you write will be a blockbuster hit, even if you get a selfie with some minor celebrity holding up your book.

How can people find out more about you?
I tweet from @vaibrainmaker. I collate my satirical articles, book reviews and other random thoughts on the universe on my blog. My three books are on Amazon here: http://amzn.to/1YAvSYy

Over the next few years, the number of books will hopefully go up. God willing.

May 21, 2012

The magic of words

There is this game I like to play with people who have read the novel. I ask them what does a certain character in the book look like?

It is amazing how almost everyone I asked this question described Bastard as tall, possibly dark, muscular/ rugged/ huge. Hari has been described as average looking, medium height, possibly with slight paunch. I am summing up here and there- for example, some people would have only said average/ okay looking for Hari while others would have said "not too tall not too short"- and I am adding up the comments.

The amazing thing is if you read the book carefully, I have described only and only one character's (Scooby's) physique (as tall and paper thin).

That, my friends, is how words conjure a character image.

That is the magic of words. :)

March 21, 2011

Why Bastard Exists

I am in love with Hugh Laurie (no sexual feelings). There might have been no book without him at all. For though Hari is the focal character who drives the book and represents my own anger, disenchantment and confusion during my MBA days, Bastard is the one character who made me enjoy writing the book. 

(For a background to this conversation, please read this http://www.vaibhavanand.com/2010/09/about-bastard.html)

Somehow writing the book was always a chore. Meenakshi was the worst- the most confusing character- whose tricks & dances frustrated me no end. I remember saying this to MG once- “Saalee ko maar hee dete hain.” She was bitching with the plot like hell.

Bastard was the one character I could completely relate to. While writing him, I always had that arrogant, self satisfied face of Hugh Laurie’s Dr. House in my head. Every scene, every dialogue, every sentence with Bastard in it scores (to me)- his bike entry, his vodka flask, his arrogant self satisfied awareness of the fact that he is two notches ahead of everyone in intelligence, his punch(es), his legend(s)… Hari is an everyman- a confused MBA that everyone today tends to be. Bastard transcends.

I had read Sherlock Holmes in entirety much before I saw House (Sherlock Holmes inspired the character of Dr. House). But Laurie was the reason Bastard came to exist and ultimately livened up the book. That cocky smile; those wicked twisted means… God I am so in love!

And if you ever thought Laurie was just a one dimensional actor, sample this- he has a wicked sense of humor in real life, he is a novelist and also a pianist. Below is a video of one of his hilarious performances.

January 11, 2011

Why they got drunk

If there is one sequence in the book that anyone has to name as their favorite or something that readers will remember it for, it’s without a doubt the drunken night sequence (my favorite is Bastard’s bike entry scene though). It is a set piece that’s so obviously filmy yet incredibly believable that everyone who’s ever had a hangover will believe it and laugh at it with consummate ease.

The sequence is a tribute to the awesomeness of the movie Hangover- a bunch of madcap funny nonsense, which is actually a clear, well thought out and defined sequence of comic events (though no event in the book is actually copied from the movie). When discussing the sequence, we were very clear that this was going to be the book what the Mahabharata scene is to Jaane Bhi Do Yaaron. And the scene had more thought put into it than some parts of the book. Consider this conversation for example-

Vaibhav: Yaar bahut serious ho gaya. Abhi tak love scene nai aaya.

MG: (in agreement) Haan haan love/ sex scene to aana hee chahiye. Uss ******* ke novel to isiliye bikte hain.

Vaibhav: Buss iss hafte sex scene hai.

And so it was. The love scene/ interaction between Hari and Meenakshi actually had no thought put into it; nor was it planned to be there in the beginning. It was just meant to be a draw for some of our more perverted readers. However, though its origins might be impromptu it is one of my favorite sequences in the book and in my biased opinion, the most well written. I wrote it in a single shot and knew that it would need zero changes even as I was writing it. And it didn’t.

The drunk night scene however was much more arduous to write. It began with us going forth about what would be the stupidest and most ridiculous possible things to do when drunk. I remember the initial few ideas:

V: Kutte ko tie pehnaate hain.

MG: Chor ko pakadvate hain.

V: Rickshaw!

MG: (who has had a few experiences with policemen) Tango to Charlie!! Alpha to Delta!!

So we had four to five set events and the drunk night story was to travel from the origin flowing through these plot points. I wrote it the very first time as Matar remembering the night and remembering it all because he had apparently been drinking since he was ten & had thus acquired a tolerance for alcohol. This was where I went wrong- introducing logic into madness. MG hated the finished first draft. For one, it had Matar going somewhat on & on about how Hari moaned about Meenakshi when he was drunk.

MG was entirely convinced that that the entire chapter would have to be rewritten. But I believed in the strength of the material- of the little set pieces that made up the big set piece. And with about six changes that removed all semblance of logic from what is best an illogical night the chapter was set.

One of my aunts told me that when she was reading the book, it was like I was talking to her. Cynical, bitter, poking/ insulting, self deprecating and dark humored. But the drunk night scene is not much me. It is more Wodehouse. And the best part is- that unlike the novel itself, it has a perfect ending- a tail ender hitting the very last ball for a huge six.

December 19, 2010

My favorite feel-good review

This is one book that I have been waiting for long and have not been able to keep it away from my mind ever since I have heard about the same. This weird sounding book is one of the best my-college life-experience books that I have ever read. If you have ever been to a B-school, you can easily relate to the madness that is described in it. It is like the wet mud that reminds you of the beautiful days of the rat race.

The novel has beautifully captured the emotions of each milestone and integrated it with personalization of the cities. The entry to hell, CVs, lecture, break ups, hook ups, Placecom, recession, this book has colored every aspect of the MBA life. My favorite chapter is Joker & the Thief & the Night with the madness at its peak, it just reminds of that one incidence that happens in those two years which you love telling to the rest of the world describing your filmy – otherwise slogging – b school life.

At the end the book just left me thinking of HP, the guy that everyone wants to be in THAT moment of self realization but then abandons him for the fear of the social world around us. An awesome read for anyone and everyone who is or has ever been a student.

-Komal Deep Kaur

November 11, 2010

What's in a name?

How did we come up with the title? Well, I was very clear (had eventually became clear) that ‘God’ had to be somewhere in the title because it made the book sound interesting. In my own experience, I have never picked up a book that had a useless title (if I didn’t know the author himself).

When the writing started, I had started with the title “CV Point” in mind- something of an internal MBA joke- since everything in a B-school is about CV Points. Several people told me that this wasn’t catchy enough. The folder containing the various novel related docs/ jpegs/ etc on my laptop is still called CV Point, however.

My next choice was “If God were an MBA”. DV aka Dharam (who I talked to a month before going to the publishers) didn’t like it; said it reminded him too much of “If God was a Banker” which I didn’t want- considering the writing in IGWTBS and Ravi Subramanium’s horny novel is quite a class apart. The next solution that my brain threw up (whilst sitting in the FMS Delhi lawns with DV) was “If God went to B-school” which both of us instantly liked.

One of my earlier suggestions to MG had been “Delhi 7” which had seemed appropriate and catchy at the time. But “If God went to B-school” was a title none of us could resist, despite the fact that it still sounded similar to the Banker title. However, our case for the title was stronger- the central character fit with the title more than in ‘Banker’, where the justification for the title is somewhat, actually quite, childish.

The subtitle is MG’s creation. We sat for hours and couldn’t come up with one. We were clear that the word ‘love’ had to be there in it. We figured out millions of permutations but they were all rather cheesy or useless. Finally MG blurted “Would love follow him there?” out and the title was complete.

Just so you know the other permutations were:

Me vs. my MBA
The untold story of a B-School in the Recession

God of Delhi 7
The untold story of a Recession MBA

If God were an MBA
The untold story of a B-School in the Recession

If God went to a B-School
The untold story of a Recession MBA

My Recession MBA
The Chronicles of Delhi 7

If God went to a B-School
The Recession Story at Faculty of Management Studies

October 14, 2010

Eve6



For those of you wondering if the song mentioned in the epilogue is real or made up, here’s some news. The song is real indeed. It belongs to my favorite band of all time- a little known alternate rock band called Eve 6.


If you’re still interested, you can read how the band got named here. http://en.wikipedia.org/wiki/Eve_6


September 23, 2010

About Scooby

It’s probably hardly any surprise to most of you that Scooby’s character is based on Barney Stinson from HIMYM. Mani Ganesh defines him the best- “An Unlucky Barney”. But not for lack of trying.

In fact, HIMYM (among other things) is one of the few things that inspired me to write. It’s an incredible show with an incredible back story (read about it on Wikipedia). The best damn thing about the show is that the creators (Carter Bays & Craig Thomas) are also members of a band called “The Solids”- who have composed the song “Hey Beautiful”- a 12 second part of which you hear as the opening theme of HIMYM. (Hear it here… http://www.4shared.com/audio/6BxlCwNL/Hey_Beautiful_-_The_Solids.htm  The HIMYM theme is from the last 30 seconds.)

September 21, 2010

Excerpt- Editor's Cut


One of my favorite bits that we had to remove from the book for some reason.

Matar raised his hand. “I still don’t understand… Tell me in hindi… (sic) Credit mein paisa andar aaya ke bahaar gaya? And if paisa bahar aaya, then why the fuck are we writing ‘To’ with it and not ‘From’?”

The entire Sem Hall exploded with laughter. Only Prakash- the senior from FinSoc who had been taking the Gyaan Session for the past hour- stood expressionless except for a shadow of disgust on his face. I think what he desperately wanted to do next was shout, “Bloody Engineers!” but he sighed, turned back to the whiteboard and started to explain again.

But at the end of the ten minutes he took to reply to Matar’s query, neither Matar nor I nor by the looks on his face, Scooby knew the reply to Matar’s original question. What we, as engineers, needed was a “Yes/ No” type of construct- a formula that could be applied again & again. However, Prakash who was a CFA level 2 passout and who had perhaps started studying finance in his mother’s womb, was loathe to give us finance as simple digestible edible facts. The same happened in Finance classes where all I caught were random phrases like GAAP, FASB, WACC, Capex, etc. without fully absorbing the import of these heavy words.

And therefore, I and Matar and Scooby and most of the engineers in the class, who couldn’t solve the Debit- Credit mystery and whose balancesheets tended to be perpetually unbalanced, became Marketing focused. It was not a matter of choosing Marketing over Finance; simply a matter of rejecting Finance as inedible indigestible.

September 17, 2010

About Meenakshi

There are and there will continue to be several allegations about who Meenakshi is in real life. I have barely gone through any phase of life without being linked to one female or the other. I guess it’s a part of growing up.

The real beauty of Meenakshi (the “fish eyed” love interest) is that even I do not know who she is. But I see her sometimes on the street… a woman beautiful in an unusual way… perhaps tall with a nose too long or sometimes even straightforward pretty or perhaps unbeautiful, in the millions of ways we choose to describe beauty, yet beautiful in the way she smiles or looks at her kid or flicks her hair. Beautiful and beautifully flawed.

Meenakshi is simply a summation of every woman I have ever met. Or perhaps none.

I wish I knew.